EXPOSING ARTISTRY: New photography show takes over Brooklyn Arts Center on Sunday

May 10 • Art, ARTSY SMARTSY, FEATURE MAIN

In the early aughts, Kelly Starbuck was living in New York City and working for international celebrity and interior photographer, Fernando Bengoechea. Managing his studio and assisting his shoots, while also assistant teaching at the International Center of Photography, was proof enough that Starbuck’s career as a photographer would be solidified.

 

BOKEH NIGHTS: Kelly Starbuck’s night photography, taken on the Cape Fear River, will be on display as part of Southern Exposure—a photography art show and sale at BAC on Sunday. Photo by Kelly Starbuck

“I grew up on Harbor Island, Wrightsville Beach, and got my first camera when I was 10,” Starbuck says. “Photography was always in my life, but I didn’t consider it as a career until after moving to New York. The city, the galleries and people inspired me.”

As fate would have it, Starbuck’s path would lead back to the southeastern coast. In 2004, Bengoechea and his partner, Nate Berkus (celebrity interior designer), traveled to Indonesia on vacation. During their trip Starbuck’s mentor lost his life in the fatal tsunami; Berkus survived.

“Bengoechea’s work inspired me and I began to focus on portraiture, interior, product, travel and lifestyle projects, as well as personal fine-art projects,” Starbuck says.

It wasn’t until late 2009 she moved home to be near family and embark on a continuous evolution behind the lens. In 2013 she opened SALT Studio Photography and Gallery in the Brooklyn Arts District, which featured national and international photographers. She also continued her own work, being published in national magazines, for TV segments and programs, and showed in group exhibits in the Chelsea Art District in NYC, as well as locally in the Cameron Art Museum and for the arts council.

“I opened and operated SALT Studio Gallery for about a year and a half and started to feel like I wanted to do a show that would feature local photographers on larger scale,” Starbuck tells. “Wilmington has so many talented photographers; there needed to be an event/platform to promote them.”

Though she shuttered SALT in 2015, beforehand she met Rich Leder, executive director of Brooklyn Arts Center (BAC), in the neighborhood as he dropped into the gallery to admire the work. Leder pitched a partnership group show, focusing solely on photography, something Starbuck, too, had been considering. “It couldn’t have been more serendipitous,” Starbuck says. This weekend they’ll open “Southern Exposure” on May 15 from noon to 6 p.m. at BAC. Starbuck curated the event, which will feature 22 local and regional photographic artists and photography-related businesses.

“Guests can expect to see variety and diversity: black and white, color, digitally captured and film-captured photography,” Starbuck says. “The Wilmington area yields a lot of nature and coastal photography, but that’s not all our photographers will have. There will be abstract photography, camera-less photography, glitch photography, rural photography, night photography, travel photography, still-life photography, car photography, and even photos used to create your own name!”

Works will be shown on various platforms, from canvas to wood, paper to metal and beyond. Starbuck, who worked with BAC’s Jessica Pham in choosing applicants, wanted to really highlight fine-art photographers. The hope is to introduce various interpretations of photography as an art form—not just a way to document time, place and events.

“I feel it’s often overlooked outside the metro areas,” Starbuck says. “Larger cities recognize [fine-art photography] and have whole galleries and museums dedicated solely to it. I want to bring a little of that to Wilmington.”

In our digital world, with every phone equipped with a camera, capturing a photo is as easy as breathing. But Starbuck wants to show how it’s not the camera that makes the photo great; it’s the person operating it, whose vision and understanding of tools punctuates and enlivens the imagery.

“For example, the chef makes a great meal, not the pots,” Starbuck uses as a metaphor. “I selected artists based on skill and the type of work they submitted, so the show wouldn’t end up with a lot of the same subject matter. This made the selection process a little challenging because I had to be selective with the amount of imagery accepted into the show that was similar in content.”

Starbuck became fascinated by UNCW student Halley Robbins’ stark black and whites. Though the European architecture Robbins captured was visually stunning, the dark profile of a white lily really struck Starbuck. As it turns out, Robbins is the youngest artist in the show, and she attended the teen academy at the same center of photography Starbuck once taught at in NYC.

“Robbins’ lily appears to have been positioned like a profile portrait in darkness with only one light allowing it to be seen,” Starbuck describes. “That explained my reaction to how the images were printed; ICP is an exceptional school.”

Also showing will be Kristen Crouch, whom assisted Starbuck on shoots. Crouch’s process is experimental, with digital manipulation and printing on alternative surfaces, like wood, sand dollars and glass to add texture. “Kristen’s more recent work with glitch and color-blocking turns the image into a whole new piece of photographic art and is modern and edgy,” Starbuck says.

Anna Marie Kennedy does camera-less photography, also called “cliché verre,” which combines drawing and painting with photography. “Artists paint an image on a glass plate and use the plate as if it were a negative in photographic printing,” Starbuck explains. “The end result is a colorful abstract photograph that was made without a camera.”

Starbuck’s work also will be on display. Specifically, she’s looking forward to showing her recent abstract night photos, called “Bokeh Nights.” She shot them on the Cape Fear Riverfront. Also on display will be macro abstracts of local flora, silver gelatin fibre prints of sea life, and more.

Sponsors will be on hand to help local photographers and photography-based businesses as well. Southeastern Camera will do free diagnosis on camera problems and sensor cleanings. Frame Masters will showcase their custom frames and offer discounts. Canvas Giclee Printing will give suggestions with printing on their fine art papers and canvas, plus they’ll raffle off a canvas print during the show.

Aside from attendees meeting and purchasing art directly from photographers, the $5 admission fee includes a raffle ticket to win artwork or a service by one of the artists; 20 or 30 items will raffled off throughout the day (winners do not need to be present to win). The Catch Food Truck will dish out eats, Lativa Coffee Co. will be selling coffee drinks, and there will be a full cash bar set up for Sunday spirits.

The show is about boosting an often-overlooked arts medium as a whole. “Its goal is to increase appreciation of the many different ways that photography is used to create art,” Starbuck says. “It’s about support for local photographers and collecting unique artwork instead of buying a cheap, mass-produced poster print or canvas at Target.”

DETAILS:
Southern Exposure
Sunday, May 15, noon – 6 p.m.
Tickets: $5
Brooklyn Arts Center
516 North 4th St.